{"id":978,"date":"2025-09-08T16:32:29","date_gmt":"2025-09-08T16:32:29","guid":{"rendered":"https:\/\/diegoquemadadiez.com\/?page_id=978"},"modified":"2026-05-05T15:09:12","modified_gmt":"2026-05-05T15:09:12","slug":"reviews","status":"publish","type":"page","link":"https:\/\/diegoquemadadiez.com\/es\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"
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Reviews<\/span><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u201cA MAGNIFICENT FILM OF IMPECCABLE ACCURACY\u201d<\/strong><\/span><\/p>

– LE MONDE –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA POIGNANT POETRY IN THE INDOMITABLE SPIRIT OF THESE THREE INNOCENTS <\/strong>AS THEY STRUGGLE AGAINST IMPOSSIBLE ODDS. A BEGUILING, HEARTBREAKING <\/strong>FIRST FEATURE FROM DIEGO QUEMADA-DIEZ.”<\/strong><\/span><\/p>

– THE EXPRESS (ALLAN HUNTER) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cAN ASSURED AND MOVING DEBUT\u201d<\/strong><\/span><\/p>

– THE TIMES (KATE MUIR) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA SUPERIOR ART-HOUSE FLICK\u201d<\/strong><\/span><\/p>

– HEAT MAGAZINE –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA CINEMATIC JOURNEY WELL WORTH TAKING\u201d<\/strong><\/span><\/p>

– BBC RADIO 4 (FRANCINE STOCK) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u201cA VERY SUBSTANTIAL MOVIE, WITH GREAT COMPASSION AND URGENCY\u201d<\/strong><\/span><\/p>

– THE GUARDIAN (CANNES 2013 REVIEW)<\/span><\/p>

(PETER BRADSHAW) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cDREAMS OF REDEMPTION ON THE TRAIN FROM GUATEMALA\u201d<\/strong><\/span><\/p>

– LA REPUBLICCA –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cINTENSE ROAD MOVIE TRAVELING ON CARGO TRAINS\u201d<\/strong><\/span><\/p>

– LA STAMPA –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cDIEZ\u2019S CINEMATIC DEBUT IS UTTERLY COMPELLING IN A WAY THAT MOST ROAD MOVIES COULD NEVER BE\u201d<\/strong><\/span><\/p>

– NME MAGAZINE –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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FINANCIAL TIMES<\/strong><\/span><\/p>

(NIGEL ANDREWS)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u201cWITH A FOOTPRINT OF REVOLT AND SINCERITY, THE FILM IS A TESTIMONY <\/strong>OF THE STRENGTH OF THOSE WHO BELIEVE THAT ART CAN OPEN THE MIND AND <\/strong>IF NOT DEFEAT THE FORCES OF EVIL, AT LEAST SHAKE THE INDIFFERENCE\u201d<\/strong><\/span><\/p>

– POSITIF –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA FEARLESS AND RIVETING SURVIVAL STORY\u201d<\/strong><\/span><\/p>

– EMPIRE (GUY LODGE) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cBEAUTIFULLY SHOT, AND POWERFULLY TOLD, THE GOLDEN DREAM SUCCEEDS IN TELLING A POLITICAL STORY, PERSONALLY\u201d<\/strong><\/span><\/p>

– THE SKINNY (SAM LEWIS) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cBRILLIANT…THE YOUNG ACTORS ARE EXCEPTIONAL… THIS SHOCKING <\/strong>AND OFTEN HEARTBREAKING FILM HAS SUCH AN IMPACT\u201d<\/strong><\/span><\/p>

– THE INDEPENDENT (GEOFFERY MCNAB) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u201cA MOVING AND WARM ROAD MOVIE WITH SOMETHING URGENT TO SAY ABOUT <\/strong>OUR WORLD\u201d<\/strong><\/span><\/p>

– TIME OUT – CRITIC\u2019S CHOICE (DAVE CALHOUN) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cTHE THREE LITTLE ULISES: SHOT FROM LIFE, WITH STORIES AND AUTHENTIC <\/strong>INTERPRETATION, THE GOLDEN DREAM MAKES THE TERRIBLE ADVENTURES <\/strong>OF MIGRANT TEENAGERS AN EPIC POEM\u201d<\/strong><\/span><\/p>

– IL MESAGGERO –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cBRILLIANT DIRECTION AND A SUPERB CAST MAKE THIS FILM AS CLOSE <\/strong>TO PERFECTION AS POSSIBLE\u201d<\/strong><\/span><\/p>

– COMIC BUZZ –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA DRAMA OF LACERATING POWER AND HONESTY…TREMENDOUS PERFORMANCES\u201d<\/strong><\/span><\/p>

– THE TELEGRAPH (TIM ROBEY) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Featured Reviews<\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u201cONE OF THE STANDOUT DEBUTS IN RECENT LATIN AMERICA CINEMA\u201d,
<\/strong>\u201cPOWERFUL YET UNSENTIMENTAL THRILLER\u201d<\/strong><\/span><\/p>

– VARIETY (PETER DEBRUGE) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA REMARKABLE DEBUT FEATURE (…) GRITTY SOCIAL REALISM MEETS EPIC POETRY\u201d<\/strong><\/span><\/p>

SIGHT & SOUND<\/span>
– FILM OF THE MONTH – (MARIA DELGADO) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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THE GILLO PONTECORVO AWARD INSTITUTION PRAISED LA JAULA DE ORO FOR IT\u2019S \u201cSOCIAL LABOR, NARRATIVE STRENGTH AND CINEMATOGRAPHIC FRESHNESS\u201d. ADDING: \u201cGILLO PONTECORVO SAID THAT \u2018CINEMA SHOULD BE WRITTEN CLOSE TO MAN, INSIDE MAN AND SHOULD SPEAK ABOUT MAN, OR IT SPEAKS ABOUT NOTHING.\u2019 THE NECESSARY STORY TOLD BY LA JAULA DE ORO AND THE IRRESISTIBLE<\/strong><\/span>
CANDOR OF THE FOUR NON PROFESSIONAL ACTORS THAT INTERPRET IT, RESPOND TO THIS CALLING.\u201d<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u201cIMMIGRATION THRILLER LA JAULA DE ORO HAS SWEPT MEXICO\u2019S 56TH ARIEL MEXICAN ACADEMY AWARDS, WINNING NINE KUDOS INCLUDING BEST PICTURE, DEBUT FEATURE, ORIGINAL SCREENPLAY, ACTOR AND SUPPORTING ACTOR. THE ARIEL TROPHY TRAWL CONFIRMS LA JAULA DE ORO, IF IT NEEDED ANY FURTHER CONFIRMATION, AS ONE OF THE STANDOUT DEBUTS IN RECENT LATIN AMERICA CINEMA, AND ITS DIRECTOR-PRODUCER-CO-WRITER DIEGO QUEMADA-DIEZ AS ONE OF ITS KEY TALENTS TO WATCH\u201d<\/strong><\/span>
– VARIETY – (JOHN HOPEWELL) –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cA BEAUTIFUL FILM, FULL OF HUMAN WARMTH, COMPASSION AND TRUTH. THE STRUGGLE OF THE INNOCENT IS CAUGHT WITH PRECISION. AND IT IS CLEAR THAT THE REAL ENEMY IS BEYOND THEIR REACH OR COMPREHENSION, BUT NONETHELESS VERY PRESENT IN THE FILM. TERRIFIC!\u201d<\/strong><\/span><\/p>

– DIRECTOR KEN LOACH –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cIMMIGRATION DRAMA \u2018THE GOLDEN DREAM\u2019 TOPS FIRST-EVER FENIX AWARDS, A NEW CEREMONY HONORING THE BEST IN LATIN AMERICAN AND IBERIAN CINEMA\u201d<\/strong><\/span><\/p>

– HOLLYWOOD REPORTER –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u201cMY TWO FAVOURITE FILMS LAST YEAR ARE LA JAULA DE ORO AND IDA, BOTH HAVEN\u2019T GOT US DISTRIBUTION YET. LA JAULA DE ORO IS A WONDERFUL FILM\u201d<\/strong><\/span>
– WRITER\/DIRECTOR ALEXANDER PAYNE –<\/span>
(AT THE GOLDEN GLOBE AWARDS)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u201cIT\u2019S A CLASSICAL STORY, TOLD IN A UNIQUE WAY. THE FILM SHINES LIGHT ON A POLITICAL SITUATION, <\/strong>IN AN INTIMATE AND HUMAN TERMS. IT\u2019S BEAUTIFULLY SHOT, ACTED, EDITED AND DIRECTED. <\/strong>REALLY SPECIAL WORK\u201d
<\/strong>– DIRECTOR MARC FOSTER –<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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SATYAJIT RAY AWARD JURY: SPARE, UNSENTIMENTAL, AND BRUTALLY DIRECT \u2013 BUT ALSO <\/strong>PARADOXICALLY MAJESTIC, BECAUSE OF THESE VERY PARTICULAR QUALITIES, \u201cTHE GOLDEN DREAM\u201d <\/strong>IS A FILM NOT TO BE MISSED BY THOSE WHO YEARN FOR A POWERFUL \u2018HUMANISM\u2019 IN CINEMA. IT <\/strong>POSSESSES THE CLASSIC QUALITIES MANY OF RAY\u2019S OWN FILMS SO DEFTLY DISPLAY: HUMANITY, <\/strong>COMPASSION, UNDERSTANDING, EMPATHY.<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Reviews \u201cA MAGNIFICENT FILM OF IMPECCABLE ACCURACY\u201d – LE MONDE – \u201cA POIGNANT POETRY IN THE INDOMITABLE SPIRIT OF THESE THREE INNOCENTS AS THEY STRUGGLE AGAINST IMPOSSIBLE ODDS. A BEGUILING, HEARTBREAKING FIRST FEATURE FROM DIEGO QUEMADA-DIEZ.” – THE EXPRESS (ALLAN HUNTER) – \u201cAN ASSURED AND MOVING DEBUT\u201d – THE TIMES (KATE MUIR) – \u201cA SUPERIOR […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-978","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/pages\/978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/comments?post=978"}],"version-history":[{"count":61,"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/pages\/978\/revisions"}],"predecessor-version":[{"id":2269,"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/pages\/978\/revisions\/2269"}],"wp:attachment":[{"href":"https:\/\/diegoquemadadiez.com\/es\/wp-json\/wp\/v2\/media?parent=978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}